I wanted to really break down the “it’s hard but it’s great” phrase that I feel we so often hear when it comes to this space - I wanted someone to tell me / talk deep about exactly why it’s hard, and why it’s great. In diving into detail with the whys, I hope that this convo (and others) can begin to shed some light for women / caregivers in the arts space.
In this convo, I chat to operatic soprano Samantha Crawford, about the practical (and emotional) realities of having a baby, as a freelance performer. Sam generously and vulnerably shares her experience - hopefully this can add to an informed, open, honest dialogue about parenthood in the arts.
We talk about: - Unexpected joys of parenthood. - Vulnerability. - Community. - Positive dialogue around parenting. - “The fourth trimester” - Living away from family support. - Preparations and plans. - Boundaries, communication, and the power of asking for support. - Financial planning. - Travelling with a baby. - Reaching out when lonely. - Specific joys, and specific challenges. - Real / perceived influence of pregnancy on auditioning / getting cast. - The experience of women in this space / women in opera. - Pressures. - Being kind to yourself, and in the moment. - The power of conversation. - Women’s power. - Some practicalities, when it comes to breastfeeding on the job. - Auditioning after giving birth. - Some helpful resources.
Resources mentioned: - “SWAP’ra” https://www.swap-ra.org/ - The singer’s guide to complete health, Anthony F. Jahn - The positive birth book, Milli Hill
Disclaimer: As ever, please bear in mind that this is just a conversation between two individuals; your feelings and experience may differ from what we discuss. My hope is that this conversation can help you more deeply understand and converse about what’s most important to you / what your feelings are on this topic; everything is valid, and there’s space here for everyone.
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