Grace Cummings made Bloodhorse! like it might be the last thing she ever does, and that meant finally shutting out the voice telling her she was “too much.” Cummings talks with Kyle Meredith about going bigger and stranger with producer Jonathan Wilson, the animals and mythology running through the record, and how its themes only started revealing themselves after she finished it. She also gets into the hilarious AI-generated bro-country song buried in the middle of Bloodhorse!, why it’s deliberately surrounded by very real musicians playing very real instruments, and the joyful release behind “Witch,” including the moment Wilson handed her an actual scythe and sent her back in to sing it again.
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