Walk into any London rare bookshop and you'll find the same canon: an Araki, a Comme des Garçons, an old i-D. Somewhere in the last few years, the book became the coolest object in fashion and art. Even Dua Lipa opened a library.
As the founder of Library Mothership, artist Athena Mothership rides this new wave, but also keeps asking: how did we get here? A new piece for brave Projects on how books stopped being read and started being posted, how we aestheticise the thing once its function is hollowed out, and why cultivating a taste in books might be a small act of personal imperialism.
This brave diary is read aloud by a synthetic voice. Every word is the person's own.
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