The big question since the 2022 BFI Sight and Sound Top 250 List was published, that no one has answered satisfyingly, is simply: why Jeanne Dielman? We watched Chantal Akerman’s film for the first time, and now, we’re talking about whether it lives up to expectations, and trying to answer the big question by examining how the gender politics of the ‘70s recontexualized film history and laid the groundwork for a young woman from Brussels to make her mark on the medium.


Afterwards (1:15:51), Zach shares his 5 albums from 1975 to check out.


We’re on substack now! Read Zach’s piece about the ubiquity of vampyres in 2025 movies


Next week: Nashville (1975) by Robert Altman


UnauthorizedPod.com for more. Hosted by Zachary Domes and J Brooks Young. Intro music by hetchy

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