Join us for a discussion of the life and work of one of Italy’s most well known and most controversial filmmakers, whether you’ve seen all his films or never even heard his name.
We touch on the history of italian cinema post-WWII, the nature of celebrity and scandal, and some of Pasolini’s films about pimps (Accattone), prophets (The Gospel According to Matthew), and the depraved (Salò, or the 120 Days of Sodom).
Next two weeks: One Way or Another (1975) by Sara Gómez, and then The Odyssey (2026) by Christopher Nolan
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