WurlD went digging through his own royalty data and found somebody else's name sitting where his publisher should be. Three, four years of money had already moved. He only caught it because he knew what to look for.
Back in 2015 he started showing Nigerian producers how to register their records properly. IPI numbers, publishing splits, performing rights organizations, all of it. "I made some enemies in the process," he says, because he was walking into rooms telling people the person handling their paperwork was putting the records under their own name.
WurlD is Sadiq Onifade. Born in Lagos, studied computer science at Georgia State while sneaking into Atlanta studios at night, wrote records for Akon and B.o.B before anyone would sign him as an artist, co-wrote Davido and Chris Brown's Blow My Mind, and made I Love Girls With Trobul with Sarz. His new album Born To Win is on the way.
In this episode we get into the EP he pulled off every streaming platform, the two years he sat on a finished hit, the night he almost got stuck in Berlin filming COLORS as the world shut down, why he left clothes behind to fit his recording rig in a suitcase, and why he gave Blow My Mind away.
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WHERE TO FIND WURLD
Instagram: https://www.instagram.com/thisiswurld
TikTok: https://www.tiktok.com/@thisiswurld
Twitter/X: https://x.com/thisisWurlD
YouTube: https://www.youtube.com/user/thisiswurld
WURLD LIVE
Website: https://www.wurldlive.com/
Live in Atlanta at Terminal West, Sunday September 6. Doors 7:00 PM, show 8:45 PM. Full live band, new music.
Tickets: https://www.axs.com/events/1540218/wurld-tickets
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TIMESTAMPS
0:00 The producers he worked with were not registered
0:59 "We don't like it when it sounds too American"
1:21 Someone else put their name on his publishing
1:40 A quick word about that subscribe button
2:12 Lagos to Atlanta, and how the career started
2:29 The calling he had to hide from his parents
2:45 "People wanted songwriters more than African artists"
4:27 Writing for Akon and B.o.B
5:37 When labels wanted the artist instead of the writer
6:10 The EP he pulled off every streaming platform
6:38 A house record that blew up in Eastern Europe
7:04 The beat that became Show You Off
8:10 Do writing code and writing songs rhyme?
9:17 The Tiny Desk moment that explained songwriting
9:38 How the money actually moves
11:57 Coming home to a business run on vibes
12:37 The registrations that kept coming back blank
12:54 "I made some enemies in the process"
13:47 Producers with huge records still chasing credits
14:34 "If that can happen to someone like me that's informed"
15:14 Lagos-born, US-raised, and why that is the advantage
16:11 Quiet in life, loud in the music
16:41 Meeting Sarz in LA
18:49 Recording Mad in Lagos
19:01 The Room on Patreon
19:52 Sponsor: Zobo Money
20:38 Sitting on a hit for two years
21:41 Putting the producer's name on the front
22:46 Where the blue came from
24:55 Why he slowed the tempo down
27:28 "Trust your gut and the God feeling"
27:59 "Show You Off was not a trend"
29:21 The Afrobeats and Nigerian-American disconnect
30:54 "If you're going to speak Yoruba, speak it with the gut"
32:16 CDs to iTunes to streaming
33:51 The 2021 breakdown
34:50 Filming Ghost Town at COLORS as the world shut down
35:30 Almost stuck in Berlin and London
36:24 Making Lagos feel like home after 18 years away
37:12 He traded clothes for his recording gear
38:09 "The industry only loves you when you're on top"
39:03 "I'm moving on every song"
40:24 "Find your tribe and communicate"
41:44 "Don't sound like another WurlD"
42:11 Keeping Blow My Mind or giving it away
44:20 "More hype than actually great music"
47:06 The new album and what is coming
49:07 What AI is about to do to creatives
51:40 "I've heard more no's in my career than yes"
52:45 Where the name WurlD came from
54:08 Rapid fire
57:48 The producers he loves working with
1:01:13 What legacy looks like for WurlD
1:01:41 Who should be in this chair next
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