Deplatforming is real. So two Orthodox filmmakers built their own infrastructure: “an Orthodox Netflix” designed to outlast trends and serve truth, goodness, and beauty.
You can feel it the moment you walk into an Orthodox church: beauty isn’t decoration, it’s a doorway. That’s the thread we pull with Logos Cinema (https://www.logoscinema.com/) founders Zachary Delaney and Andrew Stokich as they explain why they’re building what many are calling “an Orthodox Netflix” and why it has to be more than a content library.
• Beauty as a window into the divine through moving images • Why simple stories can carry the deepest Orthodox meaning • The hero’s journey as a pattern that resonates with the Gospel and the lives of the saints • How COVID-era cultural pressure and distribution dead-ends sparked Logos Cinema • Orthodox phronema on screen, from saint stories to everyday sacrificial love • A convert filmmaker’s struggle with “in the world, not of it” and the parable of the talents • Building independent infrastructure in response to censorship and demonetization • The bigger vision: networking creators, an Orthodox economy, and expanding beyond video
Jeremy Jeremiah talks with Logos Cinema about icons as stories that are written, and how filmmaking can become “moving iconography,” a window into the divine without turning into preachy, low-quality Christian media. From Dostoyevsky’s line “beauty will save the world” to the hero’s journey that shows up across cultures, we explore why the most powerful films often plant a seed and let God do the slow work in the heart. Along the way, we get concrete: how distribution questions kill promising projects, why great films can still go unseen, and what it means to build a platform that can actually support Orthodox Christian filmmakers.
Then we go deeper into the realities of the modern internet: demonetization, deplatforming, and the risk of building your creative life on platforms you don’t control. Logos Cinema is aiming for independent infrastructure, global reach, and a growing Orthodox economy that supports creators and Orthodox-run businesses, while still refusing to become an echo chamber. We also dig into their curation criteria, including a priest advisory board and the careful, nuanced line between mature storytelling and spiritually harmful content.
Can a streaming subscription become a counterculture act? Logos Cinema says yes: support creators, grow an Orthodox economy, and connect artists worldwide.
If you care about Orthodox storytelling, faith and culture, and a serious future for Orthodox films, podcasts, and media, hit subscribe, share this conversation with a friend, and leave a review so more people can find it.
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