London artist and mapmaker Stephen Walter on two decades of drawing and painting “the semiotic residues of humankind,” an invitation to map an Ivorian national park (and why you should wait for the dry season before attempting this), approaching six years of work on an NYC map, interpreting Michael Drayton’s 17th c. topographical poem Poly-Olbion into a 6x5 ft. folkloric tour of England and Wales, walking the territory, the origins of “north up,” the souls of places, a half-day's research to place a single label, and his vision of Utopia. See his work at stephenwalter.org
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