9:20 “Embracing the Complexities of Authenticity” project 13:45 standards should consider the level of diversity and detail creators want included with their work-ex: creator’s intent for why they used certain tools 16:30 distributing credit and authorship 17:35 types of authenticity discussed in the Content Authenticities article 19:20 ex: Beethoven 22:40 questions raised by the use of AI to build on works by deceased artists like the Beethoven X: AI project 25:30 Matt Dryhurst and Molly Herdon’s project of training AI model on choirs recorded across the UK 27:25 change to “originality” definition 32:00 US copyright approach and A Single Piece of American Cheese 34:40 blockchain use as seen through ORAgen 39:00 pillars of provenance standard – metadata, watermarking and fingerprint 41:00 concerns of creatives from economic harm to loss of identity 44:00 jurisdictional approaches to generative AI 46:50 EU AI Act’s mandatory transparency requirements to establish content provenance under code of practice on marking and labeling AI outputs 48:45 input of creators on policy like through C2PA community 52:45 defining justice for the creative sector: equity of agency and accountability/responsibility 55:40 mark CM hopes to make in her work-to find a proactive approach 59:00 collaborative book project of CM to rethink what the material aspects of creativity mean 1:01:00 Stefania Salles Bruins’ questions to CM 1:03:25 CM: AI versus artistic workshops of artists from Rembrandt to Koons 1:07:00 CM: opt out v opt out issues as seen with AI functionality on phones 1:10:00 Emily Gould's comments 1:13:00 AI agents-possible danger of anthropomorphizing AI agents 1:16:00 authenticity 1:17:00 case study related to responsibility-reporter in war zone who doesn’t want certain metadata disclosed as seen with Georgia Gardner’s exploration of an author’s process when they don’t want all info disclosed 1:19:20 face value of ‘responsibility’ in regard to liability and the ability to receive feedback on your work from the environment such as critics even if you don’t disclose your identity 1:21:30 what creativity is, what a work of art is 1:25:20 SSB: Tolstoy’s definition of great art as requiring universality, sincerity and specificity
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