This week we're putting The Tonearm's needle on Florida sound artist Josh Mason.
Mason’s new album, Kicking A Dark Horse, is out now on greyfade as a hardcover book paired with modular synthesizer music, the two built to zipper together rather than stand apart.
We talk about the punk rock roots underneath all that circuitry, why only the album's first and last tracks have a fixed place, and what Cortázar's Hopscotch has to do with any of it.
(The musical excerpts heard in the interview are from Josh Mason's Kicking A Dark Horse)
Xaoc Devices Leibniz subsystem — the binary-logic modular system the record was built on, which Mason has called "the final boss… in terms of instrument design that made no sense to me"
Literary References:
Hopscotch by Julio Cortázar — the 1963 novel with an alternate scrambled reading order, translated by Gregory Rabassa
Mark Rothko at Tate Modern — the Rothko Room, hung according to the artist's own lighting stipulations: "The light, whether natural or artificial, should not be too strong"
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