This week we're putting The Tonearm's needle on tenor saxophonist Azar Lawrence.
Lawrence is a veteran of Elvin Jones and McCoy Tyner's bands and a leader of his own group, The Azar Lawrence Experience, whose new album, Turn the Music Up, arrives September 25th.
We talk about his unique relationship with Pharoah Sanders, dodging McCoy Tyner’s broken piano strings, and how the fifty years between the first and latest recordings of his own songs trace his evolution as a musician.
(The musical excerpts heard in the interview are from Azar Lawrence’s Turn The Music Up)
David Weiss — trumpeter and the band's organizer, who also sat in with Lawrence's group on the West Coast
Mentors and Collaborators:
McCoy Tyner — five and a half years in the band, and the subject of the acoustic-piano argument
Atlantis — the 1974 Tyner album recorded live at Keystone Korner with Lawrence in the group; TALE's version of the title track opens side two of the new record
Elvin Jones — NEA Jazz Master profile of the drummer who gave Lawrence his first major gig
Dark Magus — Miles Davis, recorded live at Carnegie Hall on March 30, 1974, the night Lawrence was called to the stage without warning
Woody Shaw — the trumpeter from the after-hours group with George Cables, Larry Gales, and Candy Finch
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