We’re no strangers to Orson Welles on this here podcast… Or are we? Welles first-timer* Tony Wagner returns for a doozy documentary/film/essay from the inimitable auteur himself!
Orson Welles was hired to direct a documentary his friend had filmed on an art forger. But Welles, mired in the endless production of what would become his posthumous THE OTHER SIDE OF THE WIND (2018), couldn’t let it go there. His version expands the scope to include the forger’s biographer, the forger’s biographer’s forgeries, Howard Hughes, and a large-scale interrogation “about trickery, fraud, and lies.”
With Tony, we’re giving F FOR FAKE the T for Trylove treatment, discussing the criticism of art criticism on display, whether or not it’s possible to REALLY criticize this movie, its similarities to YouTube essay culture, and more.
*Tony has seen TRANSFORMERS: THE MOVIE (1986).
Find Tony…
- On Twitter at @tonydwagner
- On Letterboxd at @tonydwagner
- On Trylove episodes about ROGUE ONE: A STAR WARS STORY (2016), THE KEEP (1983)
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References:
#Bunk #35mm
Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodca.st, and email us at trylovepodcast@gmail.com to get in touch!
Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Orson's Theme Version 2" by Michel Legrand from the F FOR FAKE soundtrack.
Timestamps
0:00 - Episode 393: F FOR FAKE (1973) with Tony Wagner
2:42 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.)
10:10 - The way you watch documentaries will affect your experience
18:18 - When it becomes about more than art forgery
27:43 - The “anti-expert” strain
36:22 - Orson Welles and the “democratizing” of art and criticism
45:59 - The ending with Picasso and Oja Kodar
56:15 - Is F FOR FAKE the most criticism-proof movie we’ve ever covered?
1:04:41 - Recollection, verisimilitude, and WARFARE (2025)
1:10:31 - The Junk Drawer
1:19:07 - To All the Loves We’ve Tried Before: 1973