Armen Agop works in black granite, a volcanic stone that resists change and takes millions of years to form. In this Lunar episode inside his Pietrasanta studio, we explore what the stone refuses, what it agrees to, and what 30 years of direct carving have taught him about collective grief, weekly silence, and stripping the artist’s ego from the finished work.
Armen describes granite as an independent entity with its own memory and biography, treating his sculptural practice as a mutual negotiation: “often granite says no.” We examine a handmade curved hammer given to him by quarry workers in Aswan in 1998, discuss why finishing a sculpture feels like an ending relationship, and unpack why he deliberately polishes away every trace of his hand and chiseling marks from the stone’s surface.
The conversation turns to shadow territory through two focus words: grief and silence. Armen reflects on being a second-generation survivor of the Armenian genocide, the subconscious transmission of historical trauma, and the resilient optimism of those who lived through it. He also details his four-year discipline of spending one full day each week in total silence, the sensory overload of digital image consumption, and the concept behind his Silence Pavilion at the Venice Biennale—where visitors are asked to surrender their phones and remain quiet. We close with a tarot pull of the Princess of Wands and The Fool, examining how Saturn in Bharani calls for sacred delay, dark gestation, and trusting instinctive drive over external noise.
Explore Armen Agop’s Work:
Website: armenagop.com
Paired Solar Episode:
Listen to Armen’s Solar episode to hear why he walked away from a Venice Biennale invitation in 2011 and what that refusal cost him: https://open.spotify.com/episode/3FTJcFkssgWfj8kbzMGvC7?si=dce51ee8c3144716
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