This, to be clear, is not a bad thing. Nolan is covering the same thematic territory he did nearly 20 years ago and more recently with OPPENHEIMER. And it is compelling! A kind of Burkean liberalism that sees the heroism of “great men” as a necessary bulwark against disorder and chaos but understands the great men as merely men — who themselves bear some responsibility for the chaos — and sees heroism as a terrible burden to bear, more akin to a curse than a crown. There are no parades or honors. In the end you bear the scars and fade away, an exile remembered in legend.
Anyway, I am glad Hollywood keeps giving the man hundreds of millions of dollars to make his didactic and idiosyncratic blockbusters. Keep ‘em coming!
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