Filmmaker Martin Clark takes time out from polishing off his feature film “Public House” (set in Glasgow pub, Heraghty's) to share a spiral that's followed him for years: what if it feels like you're always playing catch-up? What if you're ten years behind your creative peers?
We discuss growing up in “the arsehole of Scotland”, his creative process, being a late bloomer in the world of film, and the complicated business of calling yourself an artist. Plus: the delicate balance between self-belief and self-delusion, why Glasgow’s music scene has been such an inspiration - and a very rude dinner party guest.
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