Black Power! A name with a ring to it on both sides of the Atlantic,
taken as a sign of Black American rage incarnated by a few
names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis.
Behind
these archetypes of the 1960s and 70s stood a political movement as
mutable as it was international, that of Black Power, with the goal of
bringing about a global uprising. This insurrection of Black worlds has
haunted the West for centuries, rumbling beneath the words of Frantz
Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah
Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri
Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik,
2026), Grégory Pierrot evokes the ghosts of Black Power and shows that
the arts are real laboratories where the Black Revolution is formed,
reinvented, and broadcast.
Guest Grégory Pierrot is Associate
professor of English at the University of Connecticut, where he studies
the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published
by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and
co-translated a series of essays and novels from and into French, and
edited or co-edited several volumes concerning the literature of and
about the Haitian revolution in French and English. He is also the
author of The Black Avenger in Atlantic Culture and Decolonize Hipsters.
Host
Gina Stamm is Associate Professor of French at The University of
Alabama, with research concentrated on the environmental humanities and
speculative literatures of the 20th and 21st centuries, from Surrealism
to contemporary science fiction and feminist utopias, in Metropolitan
France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.
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