It’s the 19th century, and a village in northern Michigan is the setting for Adam Bolton’s strange, decrepit house, called Haggard House by the community. He’s eleven, and his strictly religious mother only allows him to attend the village school after he promises not to be friendly with the other children. They’re heathens, she tells him. Adam builds an imaginary house in his mind, so when he meets a little girl who likes him, he can imagine her there. His father is a respected carpenter who leads a sad life because of Adam’s over-pious, angry and bitter mother. As a young man Adam escapes for a few years and doesn’t learn of his father’s murder until he returns. And when he goes against his mother’s wishes to marry the woman he loves, everyone pays a price in this well-written tale of madness and piety.
Elisabeth Rhoads is the Vice-President of the second largest branch of the California Writers Club—Orange County. Since 2021, she has been a volunteer juror for the Scholastic Writing Awards. She holds her BA in Theatre and has recently been accepted into Chapman University’s Creative Writing MFA program, starting in Fall of 2026. Originally from Michigan, she spent two summers working on Mackinac Island, which only allows transport by horse and carriage, foot, or bicycle. Her time on this history-soaked island deeply influenced her, and has inspired many stories, including, in part, Haggard House (Bodger Books, 2025)—and is featured briefly in the novel.
She is the author of one novel and has begun a short story series on her Substack, in which she writes a new story each month, based on subscriber prompts. Now living in California with her husband, she enjoys learning Japanese, fermenting foods of all types—although mainly kombucha—and pretends to enjoy exercise-related activities, such as kayaking and running.
As someone who grew up within a strict, religious home, her writing reflects the Victorian influences that made up a large part of her family’s reading habits, such as Charles Dickens, the Brontë sisters, and Edgar Allen Poe. She hopes that modern readers will find much to connect with, as these old-world literary influences combine with her now much broader view of the world.
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