With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026),
Rachel Silveri takes a fresh look at the desire to unify art and life,
an ambition long regarded as foundational to the European historical
avant-gardes. She reveals how many early twentieth-century artists saw
their own everyday lives—their bodies, identities, and relationships—as a
type of creative material and a central component
to their avant-garde practice. These artists abandoned traditional
forms of artmaking and venues of art viewing, instead aspiring to
integrate art with everyday life, creating an “art of living.”
Considering
Tristan Tzara’s performances of Dadaist identity, Sonia Delaunay’s
simultaneous fashions and self-branding, and the collective endeavor to
open and operate the Surrealist Research Bureau, Silveri offers a new
narrative about how the artists of interwar Paris developed experiential
life practices that resisted dominant forms of “lifestyle” and
normative discourses surrounding gender, ethnicity, and office work.
This book argues that ethical questions of “How should I live?” and “How
should I relate to others?” were as important to the avant-garde as
politics, and that aspirations to change the world played out in daily
practices of self-making.
Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons.
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