Kenneth and Eugene look at Andrei Tarkovsky’s famous, and ponderously slow, 1972 film, Solaris. They discuss why 40 minutes of the film is set amongst wet greenery, Tarkovsky’s daddy issues, they ask “What the hell was the point of the horse?” and “Why did we sit through 10+ minutes of silent driving through Osaka?”
This cursed episode of Fusion Patrol was over four years in the making.
00:00:35 Introduction to Solaris 00:01:39 The Lost Recording 00:02:02 Revisiting Solaris 00:02:48 Watching at 1.5 Speed 00:03:42 Synopsis of Solaris 00:05:37 Part Two of the Film 00:07:58 The Nature of Guests 00:08:36 Dissecting the Film’s Themes 00:12:09 The Nature of Identity 00:12:26 Different Versions of Hari 00:18:25 Film Length and Pacing 00:21:03 Cultural Context 00:30:43 The Purpose of Characters 00:32:40 Understanding the Guests 00:34:34 Questions of Existence 00:39:10 The Climax of the Story 00:45:22 Communication with the Unknown 00:54:00 Tarkovsky’s Personal Influence 00:55:46 Visual and Aesthetic Choices 00:58:02 Final Thoughts on Solaris 01:11:21 Critique of Adaptations
Next week: Buck Rogers in the 25th Century, Olympiad
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