On the heels of the announcement that Sigrid Undset's cause for canonization has been opened, Grettelyn Darkey and Joe Grabowski consider the Nobel laureate through the lens of G.K. Chesterton—the writer she admired, collected, and translated into Norwegian before visiting him at his home in Beaconsfield. Received into the Church just two years after G.K. Chesterton, Undset shared his conviction that sanctity belongs to the ordinary life of the laity, and her vivid portraits of medieval saints carry the same paradoxical spirit that made Chesterton's own work startle and delight.
In This Episode:
How Sigrid Undset's path into the Church paralleled G.K. Chesterton's—two converts of the same era drawn by the medieval and the Baroque
Why G.K. Chesterton and Undset both located holiness in the vocation of the laity rather than the cloister
The debt Undset owed to writers in G.K. Chesterton's orbit—Robert Hugh Benson's Lord of the World and the English Catholic revival
Undset's translation of G.K. Chesterton's The Everlasting Man into Norwegian, and her reading of his distributism
The shared Chestertonian paradox in Undset's fiction: making the strange familiar and the familiar strange
Podden och tillhörande omslagsbild på den här sidan tillhör
Society of G.K. Chesterton. Innehållet i podden är skapat av Society of G.K. Chesterton och inte av,
eller tillsammans med, Poddtoppen.