Today on Art of the Cut, we speak with the editors of Amazon Prime’s Spider Noir. In two separate interviews we first spoke to Jennifer Barbot, ACE, then to Geraud Brisson, ACE, and Eric Kissack, ACE.
Jennifer Barbot cut the series finale of Amazon Prime’s Lucky. Her other work includes Dope Thief, Your Honor, Raised by Wolves, and Man in the High Castle.
Geraud has been on Art of the Cut before for Coda and for Lessons in Chemistry, for which he was nominated for an ACE Eddie. His other work includes the recently released film Being Heumann, the film Camp X-Ray, and the TV series, Shogun.
Eric has been on Art of the Cut before for his work on The Studio, on which he also worked as a producer. His other work includes Pam & Tommy, The Good Place, VEEP, and Horrible Bosses 2.
Todays discussion includes the creativity of the Emmy-winning sound of a different kind of Spider, the advantages of collaborating in person, and the importance of temping voices with the right cadence.
If you'd like to read long with this podcast and see the trailer, images of the editors and images from the show, check out the BorisFX blog site:
Podden och tillhörande omslagsbild på den här sidan tillhör
Steve Hullfish, ACE. Innehållet i podden är skapat av Steve Hullfish, ACE och inte av,
eller tillsammans med, Poddtoppen.
