Tonight, we’ve stepped through the gates of the Restricted Archive, unearthing four horror short films spanning nearly eight decades of cinema bizarre. Within its forgotten corridors, Audrey and Diana dissect films drenched in surrealism, cyclical premonitions, body horror, and stop motion. All films shot on atmospheric 16mm.
Films discussed:
Meshes of the Afternoon (1943) – Directed by Maya Deren & Alexander Hammid
The Signalman (1976) – Directed by Lawrence Gordon Clark
Kitchen Sink (1989) – Directed by Alison Maclean
The Bones (Los Huesos, 2021) – Directed by Cristóbal León & Joaquín Cociña
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