How Do You Edit a Film for Four Screens at Once? | Ep 25 w/ Jamie Rusiti

For the first time, we put an editor in the chair. Jamie Rusiti breaks down a Destination NSW immersive experience — a four-screen dome you physically walk inside — that he and Ethan built together over six months with no rulebook to follow.How do you cut for a room where the audience can look anywhere they want? Jamie gets into the homemade four-screen preview rig, the RED Komodo 360 array, a 12-speaker sound mix designed to steer your eye around the space, why everything had to be locked on a tripod, and the hardest lesson of all — pacing your cuts so people have time to look around without losing the story.Then a genuinely great conversation about editing itself: why a film is written three times, the "make the worst edit you can" trick for beating the blank page, why editors should never be on set, and what it means to dream about your timeline.00:30 Intro06:35 The Breakdown: a film for four screens23:52 A 12-speaker mix that steers your eye56:30 On editing: a film is written three times1:00:50 Life of a Freelancer: booking holidays🎙️ New episodes weekly.#thedirectorandthedop #filmediting #postproduction #immersive