Welcome to the 8th episode of the PinkCat Podcast. On this episode, we will be discussing two films: Kōji Wakamatsu's Sex Family (1971) & Takashi Miike's Visitor Q (2001). After Visitor Q received a new blu-ray restoration from New Wave Video, we felt it was an opportunity to talk about the history of Japanese incest/sex family films as it is a prevalent theme in post-war Japanese cinema and erotica.
Naomi (BjorkBoobah):
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Asian Cinema Shine
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Visp:
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Trevor (The Film Bug):
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The Pink Cat Podcast:
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Every Film Mentioned on the Podcast
DISCLAIMER: Viewer discretion is strongly advised. This podcast discusses softcore erotic cinema and films that may contain simulated sexual activity, nudity, sexual violence, violence, gore, strong language and other mature themes. All films discussed on this podcast are likely to carry an 18 rating, and the podcast should generally be considered intended for adults aged 18 and over. Our approach is film history alongside critical, artistic, and sociocultural analysis. We examine these works as narrative films, exploring their themes, filmmaking techniques, performances, censorship histories and cultural significance. References to sexual content, violence and other mature material, including any illustrative excerpts or images, are included for the purposes of genuine discussion, criticism, review, social commentary and education. We aim to keep such material proportionate to the subject being discussed and to avoid gratuitous or unnecessarily explicit presentation. Our editorial approach is informed by Section 4 of the Obscene Publications Act 1959, concerning publication in the public good in the interests of drama and other arts, literature or learning, and Section 64 of the Criminal Justice and Immigration Act 2008.We intend to approach these films as works of cinema and cultural artefacts, encouraging informed discussion of their artistic, historical, and social context. This podcast may use limited and proportionate excerpts, images and clips of copyrighted material for criticism, commentary, review, quotation, research and educational purposes. In the United States, such use qualifies as fair use under Section 107 of the U.S. Copyright Act. In the United Kingdom, such use qualifies under the fair dealing exceptions in Section 30 of the Copyright, Designs and Patents Act 1988. All material is used to support analysis and discussion, with acknowledgement where required. Copyright remains with the respective rights holders.
