Paloma and Caroline begin with September overload, tennis trauma, and the apparently unreasonable notion that opponents should hit the ball somewhere you can actually reach it. Then they welcome Annie Meyers-Shyer, whose path from Harper’s Bazaar and Chanel to the beloved This Oak House proves that a sharp eye is only the beginning—the details, collaboration, and occasional plywood mock-up make the room. Annie shares how she preserved the soul of her Gerard Colcord house, built an audience by pulling back the curtain on renovation, and learned to follow “the next right thing.” Plus: why balance is a fallacy, living rooms are underrated, and fake cutting boards should be shown the door.
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