Throughout history, art, and artists, have caused moral outrage.


For a long time we had the liberal notion that we could separate great art from bad artists, but we do seem to live in a time of heightened moralisation around works of art and their creators. Why is that?


Tanjil Rashid is joined by Daisy Dixon, who has written the book Depraved: The Story of Dangerous Art.

Hosted on Acast. See acast.com/privacy for more information.

Rss
Podden och tillhörande omslagsbild på den här sidan tillhör The New Statesman. Innehållet i podden är skapat av The New Statesman och inte av, eller tillsammans med, Poddtoppen.