The end of the German architect case stirs a number of important questions and mixed emotions. What are the goals of istdp at this stage in Davanloo’s development? What exactly is istdp? And how do we, as modern readers cope with Davanloo’s grand claims about it? How do we square this with our personal sense that istdp is, in some ways, quite grand? We will continue to try to answer these and many other questions as we proceed to the case of the woman with the machine gun.

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