If you know that sharks have teeth, dear, that’s probably because Kurt Weill told you so in “Mack the Knife.” But there’s much more to Weill than The Threepenny Opera and Mahagonny: he was a remarkably versatile composer whose music moved between Weimar satire, modernism, and Broadway. Join Jens and Joe as they explore the wide-ranging world of this extraordinary, hard-to-pin-down composer.
0:20 Introduction 1:36 Diversity in Music 3:16 “Mack the Knife” – The Threepenny Opera (1928) 4:00 Much More Than Three Pennies 4:48 Magic Night – Ballet Pantomime (1922) 7:37 The Tsar Has His Photograph Taken (1928) 9:16 Rise and Fall of the City of Mahagonny (1930) 11:40 The Silver Lake (1933) 14:42 Paris – A Cow on the Road 16:01 A Kingdom for a Cow (1935) 20:51 The Eternal Road (Propheten) (1935) 22:48 US War Propaganda (1943) 26:11 The Firebrand of Florence (1945) 27:55 Love Life (1948) 29:26 Conclusion
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