In this episode of Shutter Nonsense, Michael and Jeffrey talk about one of the trickier decisions in landscape and nature photography - knowing when to keep working a scene and when it is time to move on.
Sometimes staying longer helps you find stronger compositions, better light, and quieter details you would have missed at first glance. But sometimes you are not really working the scene anymore, you are just standing there pressing the shutter over and over because you feel like you should be doing something.
We talk through the difference between patience and getting stuck, the temptation to keep photographing the same frame, how a second camera body can help you keep exploring, and the FOMO that comes with wondering if the best light is about to happen right after you leave. We also share a few stories from Death Valley, Lost Dutchman, Colorado, the Grand Canyon, and other photography outings where the decision to stay or move on shaped the images we came home with.
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Highlights:
The difference between working a scene and repeatedly pressing the shutter
Why the “obvious shot” is often just the starting point
How staying longer can reveal smaller details and better compositions
The role of patience when waiting for light or changing conditions
Why dynamic light makes the decision to move on so difficult
How a second camera body can help you keep exploring
Photographing alone versus working around other photographers
The regret of leaving too early or not refining a composition enough
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