The latest episode of UNSUNG welcomes  Multi-platinum, Grammy award winning engineer and producer Dyre Gormsen, who joins Audiomovers hosts for an in-depth conversation about his career, the evolution of spatial audio, and his work across recording, mixing and mastering.He looks back on his journey from Copenhagen’s live music scene to building a career in London, including engineering Jason Mraz’s We Sing. We Dance. We Steal Things. and receiving his first Grammy nomination.

Dyre shares how the record came together organically, why working without the influence of Jason’s previous material helped shape its sound, and how that project became a major turning point in his career.Together the team dive deep into Dolby Atmos and the changing possibilities of spatial music, from becoming an early adopter of the format to approaching Atmos mixes for established records.


➡️ Learn more about Audiomovers – https://audiomovers.com

➡️ Eastcote Mastering https://www.eastcotemastering.com/
➡️ Dyre Gormsen: instagram.com/dyregormsen/



UNSUNG is a podcast from Audiomovers exploring the untold stories and creative processes behind the music we love.

#DolbyAtmos #SpatialAudio #Mixing #Mastering #AudioEngineering #MusicProduction #ImmersiveAudio #JasonMraz #RecordingEngineer #Audiomovers #UNSUNGPodcast

Timecode:

00:00 Diving into the world of Atmos mixing and mastering

00:31 How my career evolved through diverse projects

00:43 The vision for the future of Atmos technology

07:51 Exploring the evolution of Dolby Atmos and modern audio

08:34 My early influences and the journey into engineering

11:22 How dyslexia fueled my creativity in the music industry

13:55 The road to a Grammy: recording Jason Mraz’s iconic album

16:46 The story behind the creation and impact of ""I’m Yours""

20:03 Navigating Grammy nominations and professional growth

21:03 My philosophy on production and the Atmos approach

23:41 Finding the perfect balance between stereo and Atmos mixes

27:10 Pushing boundaries with innovative recording techniques

28:57 Scouting studio locations and building global collaborations

31:42 Mastering remote collaboration and workflow efficiency

32:56 Common challenges and expert tips for Atmos mixing

36:17 Why you need to expand your speaker setup for spatial audio

37:41 Precision mixing: working with objects and room acoustics

39:50 The complex dynamics of Atmos mastering

43:24 Overcoming challenges and driving innovation in audio

44:35 Why Dolby Atmos is the definitive future of spatial sound

48:37 Balancing industry standards with artistic choices

49:50 Deep dive: exploring the landscape of spatial music

52:05 The favorite plugins I use on every mix

54:24 Technical hurdles and the reality of Dolby Atmos workflows

58:23 My best advice for aspiring music professionals today

1:00:55 Wrap-up and final thoughts on the future of sound

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