Kidnapped once more in an Austin Maxi, I find myself in the Land of Mid – Kidderminster, to be precise, admiring its largely unheralded William Mitchell artwork, the Great Wall.
Travel writer Mike Parker hails from Kidderminster, and has always loved this vast concrete mural along a retaining wall beside the town’s ring road. Created in 1973 by concrete wizard William Mitchell, the Great Wall of Kidderminster is a third of a kilometre long and features his trademark abstract geometeries and rugged, Aztec-inspired designs. These days it’s aged into an ancient-looking monument, overgrown in parts. But now, after decades of being derided and ignored, is the Great Wall of Kidderminster finally having its moment in the sun?
Mike’s minor monster is another Midlands icon, The Country Diary of an Edwardian Lady, written as nature notes in 1906 by Birmingham art teacher Edith Holden and not published until 1977, at which point it became an enormous publishing phenomenon. Would Edith have recognised the way she was portrayed, or the things the Diary would go on to inspire? And why is Mike so obsessed with such a contrasting work of art?
Theme tune by Lorna Rees and Rufus Rees Coshan. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod
Monstrosities Mon Amour is a listener-supported podcast. To receive new posts and support my work, consider becoming a free or paid subscriber.
Podden och tillhörande omslagsbild på den här sidan tillhör
John Grindrod. Innehållet i podden är skapat av John Grindrod och inte av,
eller tillsammans med, Poddtoppen.