What exactly does an agent do for opera singers - and when should a young artist consider working with one? In this episode of Opera Training Companion, host Rachel Nicholls sits down with Sue Spence (Director, Askonas Holt) and Katy Crompton (Assistant Artist Manager at MWA and National Opera Studio alum) to unpack the vital role of artist managers in today’s operatic world.


From contract negotiations and travel logistics to long-term career building and brand development, we explore how agencies support singers at every stage. Our guests share insider perspectives on what they look for in emerging talent, how the industry has shifted with social media and Brexit, and what practical steps young artists can take when choosing an agent.


Whether you’re a singer wondering when to seek representation, or simply curious about the behind-the-scenes machinery of the opera world, this episode offers candid advice, memorable anecdotes, and expert insights from two industry leaders.

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