Some guests really need more than one episode, and Kellie Miller is one of them. A successful artist in her own right, she is also founder and director of Kellie Miller Arts, a renowned Brighton gallery representing an exciting mix of national, international and local artists. She also teaches, is involved in philanthropy and plays a major role in the creative life of Brighton - she just has to come back for another chat.
But in this very entertaining episode we talk about the realities of life on both sides of the gallery wall: the freedom (and occasional exhaustion) of wearing two hats, why curating is its own act of creativity rather than a lesser cousin to "real" art, and why Kellie believes entrepreneurship is vital in being a successful artist.
Kellie is also refreshingly honest about the business side of running a gallery - how gallery pricing actually works, why undercutting a gallery by selling direct to a client who found you through them is one of the fastest ways to end a relationship, and why she thinks art fairs have had their day. She also talks candidly about a pop-up space she lost at the last minute - and the lesson in handling disappointment that came out of it.
In this episode:
Why being an artist and a gallery owner gives Kellie authority in supporting the artists she represents
The invisible labour of curating - and why "you're just a curator" undersells what a gallery actually does
How she built her stable of 70 artists, and why the window for taking on new ones is smaller than people think
What she's really looking for in a submission
Why keeping consistent pricing across the board is essential for artists - and what happens when artists forget that
The real cost of art fairs
Handling disappointment with grace - and why it pays off later
You can find out more about Kellie and her gallery at kelliemillerarts.com @kelliemillerarts
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