Live drums. It might be the thing that scares the average producer even more than vocals. In this Producer Points Roundtable, Justin sits down with Scott Robinson, Sam Pura, and Jon Graber to talk about everything from mic placement and room selection to drum bus secrets, hybrid kits, and the eternal question: can listeners actually tell the difference?
Scott Robinson (@greatscottcreates) -- Grammy-nominated mixer, producer, and songwriter. Credits include Demi Lovato, Bebe Rexha, Fall Out Boy, and Avril Lavigne.
Sam Pura (@sampura) -- producer, engineer, and founder of The Panda Studios and Purafied Audio. Credits include Basement, The Story So Far, State Champs, Hundredth, and The Dangerous Summer.
Jon Graber (@jgrabesmixes) -- LA-based recording and mix engineer with roots in punk and classical composition. From studios in New York to Capitol Records, built a career on capturing raw, honest performances.
🎛️ We cover:
Where everyone lands on live vs. programmed drums in 2026
Can listeners actually tell the difference -- and does it even matter?
When a record genuinely needs a real kit and when it doesn't
The hybrid approach: blending live and programmed so they feel like one kit
Matching a live kick to an 808 so they don't fight each other
Drum editing: how far is too far before you kill the feel?
The drum bus: parallel compression, saturation, and making live drums cut through
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