Somewhere between Auto-Tune 8 and now, something broke. The clicks, the pops, the inconsistent tracking, the constant repackaging — producers are frustrated, and they're starting to look elsewhere. In this roundtable, Justin sits down with three producers who use pitch correction every day to talk about what's actually going wrong, what they're doing about it, and what they want from plugin companies like Antares.
Andrew J. Gomez (@andrewj_gomez) — Nashville-based producer, mixer, and songwriter. Credits include Knox, John Harvie, and LOYALS.
Lowen / Emily Kopp (@earthtolowen) — independent artist, songwriter, producer, and multi-instrumentalist. Syncs on HBO, Disney, and Hulu.
Stephen Conley (@stephenmconley) — gold-certified producer, songwriter, and mixer. Credits include GAYLE and more.
🎛️ We cover:
The real bugs: latency errors, clicks and pops, inconsistent tracking, and the iLok transition
Workarounds that actually help — retune speed automation, algorithm switching, committing and printing
Alternatives: Melodyne, MetaTune, Waves Tune, UAD Topline Vocal Tune, Cubase's built-in algorithm, and more
Transparent vs. character tuning — does the tool even matter if the performance isn't there?
Current events: Taylor Swift's "I Knew It, I Knew You" for Toy Story 5, and the AFM lawsuit against UMG and WMG over AI training data
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