Greg discusses his latest musical projects and the evolution of Voidward, including his desire to create extreme metal built around wall-to-wall double-kick drumming, blast beats and unapologetically fast playing. For Greg, the music represents reaching a point where he can simply play the way he wants without feeling restricted by conventional expectations.
The conversation also explores Nobility and Death, Greg's ongoing series of extreme-metal releases. He describes the latest material as an “Extreme Metal Fantasia,” combining elements of black metal, death metal, progressive experimentation, clean vocals and increasingly unconventional arrangements. Tom and Greg even get into the free-jazz-like ideas appearing toward the end of some of the material and how Greg uses repeating riffs as frameworks for the musicians to improvise around.
Greg also talks about his interest in reimagining jazz standards through a grindy extreme-metal approach, potentially taking material such as “Autumn Leaves” into completely different musical territory.
The discussion moves through the underground music community, including Doomsday Prophet, Legalize Lex, Holler at Doom and Hufferfest, along with the challenges of coordinating recording projects around touring and band members' schedules. With drummer Noah currently in Perth, Australia until December, Voidward's next recording plans may not happen until January.
Tom and Greg also discuss the unique atmosphere of Holler at Doom, a camping and music event in the woods, as well as the unpredictable moments that can happen when musicians take the stage.
Another major topic is how bands should release music in the modern era. Greg reveals that the band has approximately a double album's worth of material, including the possibility of a four-song cycle. Tom and Greg discuss the growing popularity of singles and shorter release cycles while comparing today's music landscape with the era of classic full-length albums.
Technology has also changed the way musicians create and distribute music. The conversation explores how modern recording technology has removed many traditional gatekeepers and allowed artists to choose between singles, EPs, full-length albums and other formats based on what works for their music.
Tom and Greg dive deep into vinyl and physical media, including the ritual of listening to records and the different ways people connect with music. Tom discusses his own record collection of roughly 1,200 albums, while Greg explains why he has intentionally tried not to let collecting get out of control. Their conversation touches on artists and recordings including Sun Ra, Chopin and Pig Destroyer.
The episode also gets into the business side of being an independent heavy band. Tom and Greg brainstorm unconventional merchandise ideas and discuss how creative merch can become another part of a band's identity. For Voidward, they talk about merchandise that fits the band's progressive psychedelic stoner-metal aesthetic and the potential for custom dugouts through Tokmage.
Ultimately, EP395 is about the freedom to experiment—whether that means extreme metal, jazz interpreted through grind, extended improvisation, unusual release strategies, vinyl collecting or creative merchandise.
Topics Covered:
Voidward • Greg Sheriff • Extreme Metal • Death Metal • Black Metal • Progressive Metal • Double Kick • Blast Beats • Improvisation • Nobility and Death • Jazz Meets Grind • Underground Metal • Holler at Doom • Hufferfest • Legalize Lex • Vinyl Records • Physical Media • Independent Music • Band Merchandise • Psychedelic Stoner Metal • Music Technology
And Now The Band — EP395
Featuring: Greg Sheriff / Voidward
Genres: Extreme Metal / Progressive Metal / Psychedelic Stoner Metal / Experimental Music
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