Gather 'round mates, as we drop into Side A of Re-Mit (2013), where The Fall sound wiry, restless, and fully locked into their late-period stride. The grooves feel live, almost volatile, riffs snapping into place while Mark E. Smith delivers one of his most animated, unpredictable performances of this era. We dig into how this opening stretch blends propulsion with looseness, giving Re-Mit a raw, immediate edge.
Are you searching for the B-SIDES now? Are you looking for the real thing, yeah?
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