With the release of the final Jackass film comes nostalgia and reverie. Because our media class is the way it is, it includes a lot of think pieces about masculinity. Can't a man just hit another man in the balls without it being theorized? Can scatological entertainment resist inquiry?
Jessa and Nico also discuss Jackass's failsons: the YouTube pranksters, the violent and exploitative streaming show Fishtank, and fascism-curious podcasters. How did skateboarding subculture curdle into its current form?
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