Cahill U.S. Marshal is one of the lesser-known late-career John Wayne westerns, and for good reason. Released during a period when the Western genre was rapidly evolving, Cahill feels caught between old-school Wayne heroics and the grittier, morally complex revisionist Westerns audiences were beginning to prefer. Why didn’t it leave more of an impact? Why has it largely faded into obscurity among Wayne’s filmography?

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