Last year Jessica Winter released her solo debut My First Album, a title that raises an eyebrow to the fact she’s been grafting away in the music industry for well over a decade: first in punk bands in her hometown of Portsmouth, and then as Pregoblin with Fat White Family’s Alex Sebley. As a solo artist, though, she wears a coat of many colours — sunrise piano beats, alt-90s rock, 2000s pop — never making the same song twice.
Jessica chats to Tony Njoku.
London-based composer, producer, and multi-instrumentalist Tony Njoku makes modern classical and experimental music, yet he didn’t start out at a fancy conservatoire or music school — just hunched over a laptop in his bedroom, or teaching himself piano. Last year the Nigerian-British artist released All Our Knives Are Always Sharp, in part a homage to the musicians and communities who shaped him — including Tricky, Ghostpoet, Young Fathers, and Blood Orange — as well as a continuation of his avant-garde marriage of electronic and classical music with personal storytelling.
Tony Njoku goes Round The Twist at 10pm on Friday night. Jessica Winter will be at the Wishbone at 11.10pm Friday, and goes Round The Twist at 21.45pm Saturday.
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