In this episode of NeedleXChange, I interview Prisma Andrade, a Chicago-based fiber and textile artist and recent School of the Art Institute of Chicago graduate whose work turns her family's archive into material and asks what makes something sacred.
Prisma builds her pieces from spinning, jacquard weaving, dye painting and quilting, treating process as a way to make everyday objects sacred.
In Part 2 we trace her path from an arts-magnet high school in Dallas to SAIC, her move from painting into fiber, digital jacquard weaving with laser-cut dyed frames, dye painting and quilting that reads like stained glass, her earlier bodily work, and a quickfire on Sing Street and Magdalena Bay.
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