Nathan Fielder's new film has been presented as a documentary about Elizabeth Holmes, the founder of notorious Silicon Valley scam Theranos. But this doesn't begin to describe the strategies and structure that make Fielder and Lance Oppenheim's collaboration so artistically wondrous (and journalistically frustrating). Wesley Morris — The New York Times' Pulitzer Prize-winning critic-at-large — helps us dissect (and SPOIL!) the most "culturally destabilizing" movie of the year.


• Previously on PTFO: The Secrets of Nathan Fielder and Sportswriting, with Mina Kimes

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