Abby, Patrick, and Dan continue their reading of Winnicott’s famous essay, “Transitional Objects and Transitional Phenomena.” Focusing on the middle third of the paper, the three unpack Winnicott’s description of the transitional object as the “first not-me possession,” the stakes of his idea of the “good enough mother,” and how “good enough” care involves an interplay of illusion and disillusion that Winnicott sees as essential to the development of an infant’s capacity for reality testing, self-awareness, and more. They close-read Winnicott’s narrative and diagrammatic illustration of an intergenerational story of symptoms and transitional objects within a single family; address the technical distinctions between his models and those of Melanie Klein; and consider implications for adult activities of artistic creation and aesthetic experience.
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