Good Film Hunting
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Episode 187 - The Furious (2026) - Fights Over Story? - Good Film Hunting Review

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This week, we ditch the stunt doubles, reinforce the drywall, and make sure nobody left a hammer within reach as we dive into The Furious, director Kenji Tanigaki’s gloriously excessive martial-arts bruiser starring Xie Miao, Joe Taslim, and Yang Enyou. When mute handyman’s daughter is abducted by a trafficking ring, he crosses paths with journalist Navin, whose own wife has disappeared while investigating the same criminals, and the two men begin working their way through an increasingly unfortunate supply of henchmen. The plot may be simple, but the fists are running on overtime. Does this film punch its way into modern action-movie greatness, or did it make us… oh what’s a word for really angry?

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Release Details

  • Title: The Furious
  • Year: 2026 U.S. release; the film premiered internationally in 2025.
  • Director: Kenji Tanigaki.
  • Writers: Mak Tin Shu, Lei Zhilong, Shum Kwan Sin, and Frank Hui.
  • Top-Billed Stars: Xie Miao, Joe Taslim, Yang Enyou, Brian Le, Joey Iwanaga, with Yayan Ruhian and Jija/JeeJa Yanin among the featured martial-arts cast.
  • Running Time: 113 minutes.
  • Country of Origin: Hong Kong / China, with principal filming in Bangkok, Thailand.
  • Official Release Dates: World premiere at TIFF on September 6, 2025; U.S. theatrical release June 12, 2026. Lionsgate had previously advertised May 29 before moving the U.S. date to June 12.


Other Notable Projects

Kenji Tanigaki — Director

Tanigaki’s résumé includes action work on SPL: Kill Zone, Flash Point, the Rurouni Kenshin series, and Twilight of the Warriors: Walled In. The Furious matters because instead of contributing action to somebody else’s movie, he gets to make the entire movie obey an action choreographer’s priorities.

Kensuke Sonomura — Action Director

Sonomura’s work on Baby Assassins, Bad City, and Ghost Killer built a following among contemporary action fans. The Furious gives that style a much larger international platform and may be the film that makes his name familiar outside specialist martial-arts circles.

Xie Miao — Wang Wei

Xie began as a child performer opposite Jet Li in films including New Legend of Shaolin and My Father Is a Hero, then eventually rebuilt himself as an adult action lead through films such as Eye for an Eye: The Blind Swordsman and Fight Against Evil. The Furious feels like an international showcase for someone who has effectively lived several different martial-arts careers.

Joe Taslim — Navin

Taslim broke internationally with The Raid: Redemption, then appeared in Fast & Furious 6, Star Trek Beyond, The Night Comes for Us, Mortal Kombat, and Mortal Kombat II. What separates The Furious from several of those films is how completely it lets him use his judo background rather than merely casting him as “the guy who can fight.”

Yayan Ruhian — Tak

Ruhian became one of modern martial-arts cinema’s most recognizable faces through The Raid and The Raid 2. His presence here automatically invites comparison with that franchise — especially because The Furious reunites him with Taslim while surrounding them with fighters from completely different schools.

JeeJa Yanin — Matia

Yanin’s breakout film Chocolate turned her into one of the most distinctive female martial-arts stars of the late 2000s. Putting her into the opening movement of The Furious immediately signals that the film is intentionally assembling recognizable action talent rather than relying on conventional movie stars.

The Writers

Mak Tin Shu, Lei Zhilong, Shum Kwan Sin, and Frank Hui receive screenplay credit, with Hui also serving as a producer. Publicly available English-language coverage of the movie focuses far more heavily on Tanigaki, Kong, and the stunt team than on the individual screenwriters, which in itself says something about where the production placed its creative emphasis.

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