In this episode of Re-Creative, Mark and Joe talk to animator/filmmaker Tess Martin about Yuri Norstein’s Tale of Tales (1979), a complex, surreal masterpiece. As Tess explains, Tale of Tales is less a classical narrative than a tapestry of memories, providing just enough clues to allow viewers to unlock its meaning and hidden depths, though a familiarity with the culture from which it emerged helps. Featuring a little grey wolf from a traditional Russian lullaby, Norstein employs deeply personal and culturally specific imagery—such as a glass of vodka and bread as an offering for the dead—making the film feel intensely real and true, even if one doesn’t fully grasp every reference the first time around.
Originally from the States, Tess relocated to the Netherlands to pursue her craft. Her own work follows in Norstein’s tradition of thoughtful, material-based art. Her projects tend to develop through a mix of personal interest and the practicalities of the Dutch public arts funding system.
Mark, Tessa and Joe discuss two of her recent films:
How Now House: Using archives, personal memories and the philosophy of time, the film questions whether a space can ever really belong to one person, or time period, at all.
1976 Search for Life: A new father visits the hometown of his mother in 1976, accompanied by his wife and baby. At the same time, the NASA Viking lander is sending the first images back to Earth from the surface of another planet.
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