A powerful High Priest of Amun, declining kingship, and an Egypt in Chaos. In this episode of the Mummy Movie Podcast, we examine the fascinating polish film, Pharaoh (1966).


By many, this is considered the most accurate film set in ancient Egypt ever made. But is this true? As well as reviewing the film, we shall assess its history to see if this accolade is deserved.


Email: mummymoviepodcast@gmail.com

Patreon: www.patreon.com/MummyMoviePodcast


Bibliography

Dodson, A. (2012). Afterglow of empire: Egypt from the fall of the New Kingdom to the Saite Renaissance. Cairo: American University in Cairo Press


Eaton, K. (2017). Ancient Egyptian temple ritual: performance, pattern, and practice. New York: Routledge


Fletcher, J. (2002). Ancient Egyptian hair and wigs. The Ostracon: The Journal of the Egyptian Study Society (Vol 13). 2-8.


Janssen. (1970). Commodity prices from the Ramesside Period. Leiden: Brill


Leahy, A. (1985). The Libyan Period in Egypt: An Essay in Interpretation. Libyan Studies, 16, 51-65


Peden, A. (2011). The community of workmen at Deir el-Medina in the Ramesside Period: an overview of rank and roles. In Collier, M and Snape, S (Eds), Ramesside studies in honour of K, A Kitchen (pp. 381-387). Bolton: Rutherford


Ricem M. (2001). Who's who in Ancient Egypt. London: Routledge


Shafer, B, E. (2005). Temples, priests, and rituals, an overview. In Shafer, B, E (Ed), Temples of Ancient Egypt (pp. 1-31). London: Tauris


Spalinger, A. (2013). Reviewed work(s): The Libyan Anarchy: Inscriptions from Egypt's Third Intermediate Period by Robert K. Rittner. Journal of the American Oriental Society, 133, 595-596.


Warburton, D, A. (1997). State and economy in ancient Egypt: fiscal vocabulary of the New Kingdom. Fribourg: University Press.

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