The area we call the American Bottom is a widening in the Mississippi River floodplain that runs some 70 miles in Illinois from Alton to the mouth of the Kaskaskia River just north of Chester. Just across the river from St. Louis, the area has a deep history. For thousands of years, Native Americans lived in and around the rich bottomland forests and wetlands. About a thousand years ago, one of the largest Native American cities sprung up practically overnight, the place we call Cahokia today. French colonists built communities at the southern end of the American Bottom, and Lewis and Clark based in the area before venturing west on the Missouri River. Before the Civil War, a small group of African Americans – some free, some who had recently escaped from enslavement – founded a little enclave called Freedom Village that later became Brooklyn (also known as Lovejoy). Brooklyn offered a sanctuary for generations of African Americans in an area defined by segregation and prejudice. By the twentieth century, companies eager to avoid the taxes and regulations of St. Louis bought land and founded municipalities they could dominate, then built large factories there: East St. Louis, Sauget, National City, East Alton. In the mid-1950s, organized crime got a foothold in and around Venice. As the American industrial economy declined, so did the communities in the American Bottom.
All that deep history, much of it long forgotten, caught the attention and lens of photographer Jennifer Colten. In this episode, I talk with her about her work photographing this area layered in sediment and history. After she describes her path to professional photography, we talk about the first project that pulled her into the American Bottom. We then talk about some of the history that is too easily overlooked, what catches her attention as she driving around, what remains of the original floodplain forest, how it feels to explore places many people are too afraid to visit, and some of the stories she’s telling with her photography. It was fascinating to learn about the American Bottom from the perspective of someone who has spent so much time documenting it in photographs.
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