There’s a particular kind of dread that runs through the work of Uncle Acid and the Deadbeats—a slow, creeping unease that feels at once timeless and painfully contemporary. On the band’s new album, Shapes of Midnight (out September 18), that dread becomes fully weaponised: a twisted gothic vision of power, class, and paranoia that feels like Edgar Allan Poe dragged into the age of 24-hour news, billionaire bunkers, and endless crisis.

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