Stage monitoring is complicated and difficult even in the best circumstances, but when the performer has hearing loss the barriers can compound and confound the situation. We pick up where we left off with Part 1 to practical guidance for performers with hearing loss, as well as supporting knowledgeable audio engineers who are mixing monitors for an artist with hearing loss. In this second installment, we discuss:
How spatial processing can be used to add separation and clarity
Steps to audiogram-informed processing
Purpose-built systems designed to streamline this process and support the performer
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