Most musicians who try to act look like complete fools the second the camera starts rolling. They think hitting a stage translates to movie stardom, but the reality is usually a cringey train wreck. London May went from beating the hell out of the drums in Samhain to taking on intense, dark movie roles. Chris Akin digs into what actually goes down on a film set, the brutal reality of pretending to be a psychopath vs. method acting, and why stepping out from behind a drum kit into the cinematic spotlight breaks most rockstar egos.
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